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   not that other festivals don’t have that,ugg keychain,If you think this article will be as straightforward as its title Jr. and an observation of his assassination Those lyrics are surprisingly flawed though when Bono sings “Early morning April 4 shot rings out in the Memphis sky …” In fact MLK was shot just after 6 pm The Edge’s riff and Larry Mullen’s echo-laden snare are … well … unforgettable Sometimes annoyingly so With Brian Eno and Daniel Lanois behind the desks significant ambient tones began to leak out from this rough and ready touring band The cover of Time magazine was not far off
Where the Streets Have No Name & I Still Haven’t Found What I’m Looking For These are thrown in as a pair because of their utter dominance in U2’s history Heady heady times as the band steamrolled the planet on the strength of these twin giants The Edge had hit his stride with a guitar sound immediately identifiable as his alone Bono’s lyrics tugged at the listener’s spiritual longings and U2 became a sonic juggernaut despite later disavowing “Rattle and Hum” – the concert film and album that chronicled the touring of that era Desire This one sneaks in There are tracks on this album that could be considered deep cuts for their relative obscurity but “Desire” blew up and has long been a staple of U2 gigs It made a bunch of people want to take up the drums and play harmonica Mysterious Ways Recovered reinvented and revitalized after their great American experiment U2’s sound became new again Mysterious Ways showcases some of that with total fuzzbomb guitar effects and a sparse keyboard accompaniment Adam Clayton’s bass is massive It sounds like it’s gonna implode your head This is probably the most “poppy” of the big singles from this album and therefore a shoo-in for US radio One Twenty-four years on it holds up beautifully as a testament to real unvarnished songwriting Admit to having loved this song and we can move on Check out the Anton Corbijn video to see the band in drag
Beautiful Day This is among the last huge hits for U2 and even it can’t be compared in sales to some of the earlier monsters Beautiful Day hit a good nerve with people though It sounds clean it sounds like rock ‘n roll and it’s uplifting U2 had for a while been on a European dance trip that American fans largely ignored but this “four guys in a room playing music” announced a return to a previous form that many people had been wanting
I’m on the fence whether Vertigo (How to Dismantle an Atomic Bomb: 2004) and Get On Your Boots (No Line on the Horizon: 2009) ought to be called U2 songs everybody knows I think they have one toe across the line into “must be a fan to remember them” territory What do you say
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