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[quote]Ranandynax wrote: [br]Ffbx Kosslick gives Berlinale new tolerant motto IM Globals genre division Octane has struck a deal to handle the next series of eight films from Courtney Solomons horror label After Dark.For the first time the new crop of 8 Films To Die For titles will be After Dark productions rather t [url=https://www.cup-stanley.de]stanley cup[/url] han third party acquisitions, and will be [url=https://www.stanley-cups.de]stanley cup[/url] marketed under the brand After Dark Originals. Lionsgate holds North American rights.The new titles feature Wes Chatham in the market screening of Brett Simmons supernatural ritual tale Husk; Adam Gieraschs haunted house saga Fertile Groundwith Leisha Hailey and Gale Harold; Steven C Millers Scream Of The Bansheestarring Lauren Holly and Lance Henriksen; and horror tale 51.Rounding out the roster are the creature feature Prowl [url=https://www.stanleycups.ro]stanley cup[/url] from Manhunt director Patrick Syversen starring Bruce Payne and Courtney Hope; Simon Fellows The Task, about an ill-fated reality TV show set in a prison; zombie attack tale Re-Killstarring Roger Cross and Jesse Garcia; and Orlando Jones and Gary and Edmund Entin in Seconds Apart, which is in production and centres on telekinetic evil twins. Not only are Courtney and his team creating high production value horror films, but they come with guaranteed US theatrical exposure, a brand beloved by genre fans, and the highest quality marketing materials,: IM Global CEO Stuart Ford said. We think that for distributors in this space its a must have package. We are pleased to know our films will be reaching the international marketplace through Octane, a division which has proven its m Dxel Spanish industry joins weekend protests against terrorism While Hollywood continues to dominate animation globally, European distributors and producers are increasingly looking to grab a slice of the pie [url=https://www.stanley-cup.us]stanley website[/url] . Geoffrey Macnab looks at the state of play.There are glaringly obvious reasons why Hollywood animation rules the international marketplace. For the independents, the family audience is an expensive one to get to, says Danny Perkins, UK CEO of StudioCanal, highlighting the financial stumbling block in front of smaller outfits making 鈥?and trying to market 鈥?mainstream animated movies.How, one UK executive asks, do you even begin to compete with a company like Disney that has its own network of merchandise and retail and television networks 鈥?and has a presence in childrens lives In theory, animation appeals to the broadest mainstream audience and offers the possibility of vast commercial rewards. As Europeans continually discover, however, this is a space in which the US studios have long held sway. Independents cannot match the studios clout when it comes to branding and merchandising animation, which involves much [url=https://www.stanleycup.ro]stanley romania[/url] more than buying advertising and delivering prints 鈥?Hollywood animated features often turn into full-blown cultural phenomena. Its the only genre of film that exhibition doesnt have enough of. They need family films. Danny Perkins, StudioCanalFor example, Disneys animated feature Frozen, released in late 2013, provoked a huge outpouring of affection and eventually grossed close to $250m in Japanes [url=https://www.stanley-germany.de]stanley germany[/url] e cinemas alone an[/quote]
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