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One good reason for visiting the 20/21 British Art Fair which opens on Wednesday,http://www.kiteaway.co.il/forums/viewtopic.php?f=1&t=89028cheapjordanshoesfreeshipping.com/bolg, a stone’s throw from Buckingham Palace at the Mall Galleries,cheap retro jordans, is that it’s a place of discovery – not just of Modern British art, but of its dealers. Half the exhibitors this year do not have galleries. You can’t look through their shop windows,cheap jordans free shipping, or just walk through their doors to see the latest exhibition; you have to make an appointment. Alternatively,http://primetime.cba.pl/index.php?site=forum_topic&topic=8218cheapjordanshoesfreeshipping.com/bolg, you can seize the opportunity to size them up when they make an appearance at an art fair.
This proportion of private dealers in an art fair must be some kind of record. Not so long ago, most of the established fairs insisted that exhibitors had bricks and mortar galleries, especially where contemporary art is concerned,Kicksokok.com, so that a gallery’s exhibition programme could be monitored and its obligations to artists fulfilled. But times are changing. Galleries,cheap real jordans, whether selling old or contemporary art,cheap authentic jordans, cannot survive the precipitous rent rises that are strangling the cultural capitals of the world and are downsizing or closing.
The art fairs play a dual role here. According to analysts, nearly 50 per cent of a gallery’s sales are made at fairs nowadays. But at the same time, they are expensive to take part in,cheap jordans, and can ruin a small gallery if sales are not made. One research project conducted by gallerist Vanessa Carlos two years ago estimated that 50 per cent of London’s galleries are in the red. Only the biggest, well financed galleries (Gagosian, Hauser & Wirth and David Zwirner for example),cheap wholesale jordans, look immune, creating a drastic polarisation within the art market.