Idézetek | "Tartogasd az erődet a Találkozás idejére." (Ramírez)
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Születésnapok |
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Christopher Lambert március 29. |
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Sean Connery augusztus 25. |
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Clancy Brown január 5. |
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Beatie Edney október 23. |
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Roxanne Hart július 27. |
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Freddie Mercury szeptember 5. |
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Adrian Paul május 29. |
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Jim Byrnes szeptember 22. |
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Peter Wingfield szeptember 5. |
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Marcus Testory május 5. |
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Bruce Payne november 22. |
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Lisa Barbuscia június 18. |
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FAQ: IV/01. Vissza a gyökerekhez/Az anyaföld (HOMELAND) |
IV/01. Vissza a gyökerekhez/Az anyaföld (HOMELAND)
• Az epizódban hallható dal címe "Bonny Portmore", és Laura Creamer énekli. A dal eredeti változata a Hegylakó 3-ban csendült fel eloször, Loreena McKennitt eloadásában (McKennitt: The Visit). A dal Bill Panzer ötlete volt.
• Az epizódot Adrian Paul rendezte (ezen kívül még kétszer ült le a rendezoi székbe). Az o ötlete volt a helikopter is, aminek a bérleti díja igen magas volt, ráadásul szinte végig esett az eso, így nagy szerencséjük volt, hogy végül akadtak azért használható felvételek...
• A felvételek két helyszínen zajlottak: Vancouverben, és Észak-Skóciában.
• A belso felvételek helyszíneit (templom, fogadó belseje) és a falut Vancouverben építették fel. Egyedül Adrian és Jim utaztak el Skóciába. (Tehát minden helyszín, ahol "Rachel" vagy "Kanwulf" szerepel, azt Vancouverben vették fel.)
• A külso felvételek a templomról valóban Glennfinan környékén készültek. Ahogyan a Hegylakóról készült emlékmu is ott áll.
• Az epizódban a Tioram kastély látható (ugyanaz a kastély, melyet a HL3-ban is láthattunk).
Don Paonessa (Creative Consultant, Post Production):
"What everyone remembers are the bugs. It was so intense up in the woods that everyone had to wear mosquito nets because these things would be in your face by the thousands; it was incredible. If you were claustrophobic, you would have committed suicide. But the poor actors, they couldn't wear nets, they had nothing. So when you watch the show, you can see these mosquitoes flying around and through frame and as the shooting progressed, you could see welts on the actors. It was horrible. Also, I had to shoot that bracelet falling in slow motion and to get that thing to tumble the way we wanted it to tumble, I think we shot about 5000 feet of film because we were shooting it at something like 120/frames a second. It worked."
Ken Gord (Producer)
"This has to be one of top fives, and I think I'm at 3 or 4 so I'd better be careful. This was Adrian's first job as a director and he was good. But I think what everybody on set remembers is the bugs. You can see the actors swallowing them while they're on the show and they don't miss a beat....what professionals. And the crew and the director, when he was directing, were all wearing nets over their heads because the bugs were swarming around. We shot all that footage in Scotland at the end of the season before knowing that David had already worked it all out. So when we finished Paris the year before, Adrian and I and a small crew, went and shot specific scenes that we knew were going to fit into the show. We didn't take sound. We even shot dialogue scenes and had people just move their mouths because we knew we could ADR it later. It fit in and we knew what we should shoot in Scotland and what we could cheat back in Vancouver. It was fun, we had a good time, but it rained the whole time. When I had to send back the fur coat that Adrian wore on the show to Angel and Berman's, which is, I think, the biggest costume house in the world, when they got it back, they told us it was the most disgusting return that they ever had."
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