This article is about "true sparrows," the
Old World sparrows in the family Passeridae.
Sparrows are small
passerine
birds. The differences between sparrow species can be
subtle. In general, sparrows tend to be small plump brownish
or greyish birds with short tails and stubby powerful beaks.
They are primarily seed-eaters, though they also consume
small
insects. A few species scavenge for food around cities,
and like
gulls or
pigeons will happily eat virtually anything in small
quantities.
The Old World true sparrows are found indigenously in
Europe, Africa, and Asia. In Australia and the Americas,
early settlers imported some species which quickly
naturalised, particularly in urban and degraded areas. House
Sparrows, for example, are now found throughout North
America, in every state of Australia except Western
Australia, and over much of heavily populated parts of South
America.
Some authorities also classify the closely related
estrildid finches of the equatorial regions and
Australasia as members of the Passeridae. Like the true
sparrows, the estrildid finches are small, gregarious, and
often colonial seed-eaters with short, thick, but pointed
bills. They are broadly similar in structure and habits, but
tend to be very colourful and vary greatly in their plumage.
About 140 species are native to the old world tropics and
Australasia. Most taxonomic schemes list the estrildid
finches as the separate family Estrildidae, leaving just the
true sparrows in Passeridae.
American sparrows, or New World sparrows, are not closely related to the true
sparrows, despite some physical resemblance, such as the
seed-eaters bill and frequently well-marked heads. They are
in the family
Emberizidae.
The Hedge Sparrow or
Dunnock (Prunella modularis) is similarly
unrelated. It is a sparrow in name only, a relic of the old
practice of calling any small bird a "sparrow".
There are 35 species of Old World sparrows, in four
genera.
Species list
Passer, the true sparrows
Saxaul Sparrow, Passer ammodendri
House Sparrow, Passer domesticus
Spanish Sparrow, Passer hispaniolensis
Sind Sparrow, Passer pyrrhonotus
Somali Sparrow, Passer castanopterus
Cinnamon Sparrow or Russet Sparrow, Passer rutilans
Pegu Sparrow or Plain-backed Sparrow, Passer
flaveolus
Dead Sea Sparrow, Passer moabiticus
Rufous Sparrow, Passer motitensis
Socotra Sparrow, Passer insularis
Iago Sparrow or Cape Verde Sparrow, Passer iagoensis
Cape Sparrow or Mossie, Passer melanurus
Grey-headed Sparrow, Passer griseus
Swainson's Sparrow, Passer swainsonii
Parrot-billed Sparrow, Passer gongonensis
Swaheli Sparrow, Passer suahelicus
Southern Grey-headed Sparrow, Passer diffusus
Desert Sparrow, Passer simplex
Tree Sparrow, Passer montanus
Sudan Golden Sparrow, Passer luteus
Arabian Golden Sparrow, Passer euchlorus
Chestnut Sparrow, Passer eminibey
Italian Sparrow, Passer italiae
Kenya Rufous Sparrow, Passer rufocinctus
Kordofan Rufous Sparrow, Passer cordofanicus
Shelley's Rufous Sparrow, Passer shelleyi
Asian Desert Sparrow, Passer zarudnyi
Petronia, the rock sparrows
Yellow-spotted Petronia, Petronia pyrgita
Chestnut-shouldered Petronia, Petronia xanthocollis
Yellow-throated Petronia, Petronia superciliaris
Bush Petronia, Petronia dentata
Rock Sparrow, Petronia petronia
The Roman poet Catullus addresses one of his odes to his
lover Lesbia's pet sparrow (‘Passer, deliciae meae puellae...’),
and writes an elegy on its death (‘Lugete, o Veneres
Cupidinesque...’). The sparrow's playful erotic intimacy
with its mistress ('To whose seeking she often gives her
first finger/And provokes sharp pecks') makes the poet
envious. At the climax of its elegy he reproaches it for
dying, and distressing her ('Now, by your deeds, my
girl's/Little eyes are slightly swollen and red from
weeping'). The diminutiveness of the sparrow, and the
hugeness and eternity of the afterlife, form a bathos that is typical of the mock elegy form: ‘qui
nunc it per iter tenebricosum/illuc unde negant
redire quemquam’ ('He now goes on a journey through that
gloomy place,/From where they say no one returns'). Note how
the sparrow's hopping is represented metrically. The bird is
also alluded to in the line "He who lives by the stick, dies
by the stick" in James Wilson's "The Stick Finch".
In
'Phyllyp Sparowe' (pub. c. 1505), by the English poet John
Skelton, Jane Scrope's laments for her dead sparrow are
mixed with antiphonal Latin liturgy from the Office of the
Dead. It belongs to the same tradition as Catullus' poem, or
Ovid's lament for a parrot in the Amores, but the erotic element is more direct:
'And on me it wolde lepe/Whan I was aslepe,/And his fethers
shake,/Wherewith he wolde make/Me often for to wake/And for
to take him in/Upon my naked skyn'.